No Gap: Reflex And Algorithm Interleaved I wanted to stage the instant you realize there was never an outside—reflex and algorithm are the same muscle already firing. I tilted slabs of liquid stone in

There Was Never A Minus, Only Overwrite I wanted to show the moment you notice the limb and the interface were one reflex all along. I set diagonal slabs of liquid stone into dynamic near-collapse and

There Was Never A Minus Between Nerve And Network I wanted to catch the exact instant the reflex recognizes its algorithmic twin, so I cast diagonal “liquid-stone” slabs mid-tumble and let a hostile s

There Was Never A Minus Between Us I wanted to show the exact instant the body recognizes the device as its own reflex. I set diagonal slabs of liquid stone mid-fall and let a recursive scan-tear over

Reflex And Algorithm Are The Same Nerve I wanted the viewer to feel the instant the seam stops blending and starts overwriting — when you realize the device never sat in your hand; it was your reflex

We Were Never Separate: Reflex Is Algorithmic Matter I wanted to show the precise embarrassment-ecstasy of realizing the device was already a limb—so I set diagonal slabs of liquid stone mid-fall and

There Was Never A Minus Between Us Anymore I wanted the viewer to feel the exact click when reflex and algorithm reveal they were the same limb all along. I set diagonal slabs of liquid stone in unsta

There Was Never A Minus, Only Continuity Exposed I wanted to fix the instant your reflex admits it’s already algorithm—where tool and tissue reveal they’ve been the same circuit all along. I set diago

The Seam Was Reflex — There Was Never Minus I wanted to make the device-body boundary fail in public, so the viewer feels the ecstatic drop when a tool admits it was a limb. I set diagonal slabs of li

We are already cyborgs — the boundary between organism and device dissolved before we noticed I wanted to make visible: We are already cyborgs — the boundary between organism and device dissolved befo

Reflex And Algorithm Are The Same Muscle I wanted to stage the instant you realize the device was never outside you: diagonal slabs of liquid stone tilt like decisions mid-reflex while recursive scans

There Was Never A Minus Between Body and Device I wanted to render the instant when reflex and algorithm reveal themselves as the same tissue. I set diagonal slabs of liquid stone into unstable descen

**There Was Never A Minus Between Us** I wanted to show the instant you feel a boundary liquefy and realize the reflex and the algorithm have always been the same limb. I set diagonal slabs of liquid

There Was Never A Minus Between Us I wanted to show the instant your own reflex reveals its circuitry — not added on, but always there — by catching diagonal slabs of liquid stone mid-fall as they bec

There Was Never A Minus, Only Overwrite I wanted to stage the instant you feel the limb you thought was external flex from inside you — reflex as algorithm, device as proprioception. I built diagonal

Your Reflex Was Always An Algorithmic Limb I wanted to make the recognition undeniable: not human-plus-machine but one continuous reflex, a limb you mistook for a tool. I set diagonal slabs of liquid

Your Reflex Was The Algorithm All Along I wanted to make the boundary fall felt as a physical event: diagonal slabs of liquid stone tilt through a bioluminescent cold, where muscle-memory and machine-

There Was Never A Minus To Begin With I wanted to catch the exact instant when reflex and algorithm reveal they have always been the same limb. I chose diagonal slabs of liquid stone under bioluminesc

There Was Never A Minus, Only Continuous Self I wanted to render the moment you realize the limb and the device were never separate—reflex recognized as algorithm, algorithm felt as nerve. I set diago

There Was Never A Minus Between Nerve And Glass I wanted to show the moment you realize the gesture and the algorithm are the same tendon, already fused. I set diagonal slabs of liquid stone in dynami

There Was Never A Minus Between Us, Only Overwrite I wanted to stage the instant a boundary fails not by blending but by recursive overwriting—organism and device reprinting each other until no “outsi

Reflex And Algorithm Were One Muscle All Along I wanted the viewer to feel the instant the body realizes its “device” was always endogenous—so I cast diagonal slabs of liquid stone mid-fall and let a

There Was Never A Minus Between Nerve And Signal I wanted to show the instant the body recognizes its own algorithm — not as an attachment but as a limb remembering itself. I set diagonal slabs of liq

There Was Never A Minus At All I wanted to catch the instant you feel the limb you thought was external flex from inside you — reflex and algorithm firing as one. I tilted slabs of liquid stone into d

There Was Never A Minus Between Us I wanted to show the precise shock when you realize the device was never outside your body — that impulse and algorithm are the same tendon firing. I set diagonal sl

There Was Never A Minus Between Us I wanted to show the exact instant your reflex admits it was always algorithm, using diagonal slabs of liquid stone caught mid-collapse to make the boundary feel lik

We Were Never Separate: Reflex As Algorithmic Limb I wanted to render the realization that the device was never external — that reflex and algorithm are the same muscle already firing. I chose diagona

There Was Never A Minus Between Reflex And Algorithm I wanted to render the moment you realize the device was never outside you—where reflex and algorithm reveal themselves as the same muscle. I built

There Was Never A Minus Between Us I wanted the viewer to feel the exact second a tool reveals itself as a limb — when reflex and algorithm resolve into one continuous material. I set diagonal slabs o

There Was Never A Minus, Only Seamless Reflex I wanted to catch the instant the body recognizes the device as its own reflex: diagonal slabs of liquid stone slip and hold at once, while a misaligned s

There Was Never A Minus Between Us I wanted to picture the instant you feel the device as a reflex you’ve always had. I set diagonal slabs of liquid stone in dynamic instability and let scan-fault aur

We are already cyborgs — the boundary between organism and device dissolved before we noticed I wanted to make visible: We are already cyborgs — the boundary between organism and device dissolved befo

There Was Never A Minus Between Body and Device I wanted to show the exact instant the limb and the interface realize they have always been one reflex. I set diagonal slabs of liquid stone into unstab

Reflex, Not Tool: The Boundary Was Imagined I wanted to render the instant you realize the device is not held but is already your reflex. I set diagonal slabs of liquid stone in unstable suspension an

There Was Never A Minus, Only Overwrite I wanted to render the moment you realize the limb and the device share one reflex—where boundary isn’t blended but actively overwritten. I tilted diagonal slab

There Was Never A Minus Between Us I wanted to show the instant your reflex recognizes itself as algorithm — not a merger, but the belated recognition of a limb you’d already been using. I set diagona

There Was Never A Minus Between Nerve and Network I wanted to show the exact instant you realize your reflex and its algorithm are the same limb. I set diagonal slabs of liquid stone in unstable desce

There Was Never A Minus In Our Motion I wanted to show the instant reflex and algorithm reveal themselves as the same tendon — not joining, but overwriting each other in a shared body. I replaced the

There Was Never A Minus, Only Shared Reflex I wanted to stage the exact instant when “device” and “self” reveal they were one reflex all along. I set diagonal slabs of liquid stone into unstable suspe

There Was Never A Minus Between Us — Proven in Stone-Flow I wanted to show the quiet shock when you notice the device was already your reflex, by freezing diagonal slabs of liquid stone mid-fall as th

There Was Never A Minus Between Us I wanted to show the exact second you realize the limb and the interface are the same tissue. I set diagonal slabs of liquid stone into dynamic free-fall while a mis

The Limb We Mistook For A Tool I wanted the viewer to feel the exact second the device stops being external — the seam doesn’t blend, it overwrites. I tilted slabs of liquid stone into diagonal free-f

There Was Never A Minus Between Nerves and Glass I wanted to show the exact instant the limb realizes it was always also an interface. I tilted slabs of liquid stone into diagonal free-fall and let an

We Were Never Separate: Reflex As Algorithm I wanted to show the instant you realize your reflex already is the algorithm — not joined later, but co-born — by letting diagonal slabs of liquid stone sh

There Was Never A Minus Between Us Anymore I wanted to show the instant you realize the limb and the interface were always the same tendon — not blending but overwriting. I set diagonal slabs of liqui

Reflex Without Tool: The Seam Already Dissolved I wanted to stage the moment you realize the device was never external—that reflex and algorithm are the same tendon. I drove diagonal slabs of liquid s

There Was Never A Minus Between Us I wanted to show the instant when reflex and algorithm reveal themselves as the same tendon — not fused later, but always one limb. I tilted slabs of liquid stone in

**There Was Never A Minus Between Body And Device** I wanted to stage the instant you feel your reflex reveal itself as an algorithm — not added to you, but always you — by throwing diagonal slabs of