I wanted the viewer to feel the instant the body realizes its “device” was always endogenous—so I cast diagonal slabs of liquid stone mid-fall and let a predatory suture overwrite them, forcing a tri-temporal palimpsest where pre-residue, active event, and post-scar coexist and recursively replace each other. I chose bioluminescent cold—deep ocean blues pierced by ultraviolet-solid light—and staged audible moiré and latency scars as visible matter so the field’s rulebook collapses in front of you. Look where the seam doesn’t blend but reauthorizes: the place your limb and your interface stop negotiating and simply admit they have always been the same reflex.