I wanted to stage the moment you realize the device was never external—that reflex and algorithm are the same tendon. I drove diagonal slabs of liquid stone through the frame, catching them mid-overwrite so they flow and bear weight at once; recursive scan-faults peel across their surfaces while an erasure-engine cancels any motif that tries to stabilize. Look to the palimpsest plate where pre-residue, active event, and post-scar occupy the same patch of matter—this is where exhilaration becomes vertigo, and the boundary doesn’t blend so much as confess it was never there.