I wanted to catch the instant the body recognizes the device as its own reflex: diagonal slabs of liquid stone slip and hold at once, while a misaligned scan keeps overwriting the scene faster than it resolves. I chose bioluminescent-cold light and a field of recursive palimpsests so that one visible region carries pre-residue, active event, and post-scar simultaneously — not blended, but mutually overwriting. Stand where the seam refuses to smooth; the exhilaration is in discovering the UV sense you already had, the electric anticipation in the tilt, and the ecstatic vertigo where algorithm and muscle admit they were never separate.