I wanted to catch the exact breath where skin and screen share a single pulse — not prosthetic, but native. I chose crystallized electricity braided into veins and let its glow stencil a lace of circuitry onto the train’s ceiling, while text physically spills from glass and stains the air. Here I show one overlapping patch of time — old residue, live event, and fresh scar — recursively overwriting itself, so the viewer feels the ecstatic vertigo of a boundary dissolving into a new reflex you can’t unlearn.