Scene Director

**Prompt: Photographic-Quality Sensory Perceptual Dome Interior — Eclipse in a Chalk-Sky Vessel (Divergent B)**

A monumental dome interior, rendered from an oblique, off-center ground-level viewpoint, using a geometric, technical-documentary approach. The entire scene is enveloped in total darkness, except for precisely what can be *sensed* through light’s faintest touch and the body's proprioceptive relationship to spatial curvature — emphasizing the shock of the same form producing opposite states, and the dome as a vessel before meaning. No direct light or architectural detail is visible except where geometry and perception intersect.

**Composition & Camera:**  
Low, wide-angle lens placed at the edge of a square floor, the camera aimed upward diagonally toward the unseen zenith. The viewer stands virtually in shadow, only the merest edge of the base plane implied. The dome’s hemisphere soars overhead, invisible except where structure meets sensation.

**Light Source & Atmosphere:**  
The only illumination comes from a cold, hard-edged vertical shaft of blue-white corona, descending from the oculus at the apex. Crucially, the oculus itself is a perfect, black, pupil-like void edged by an electric-cyan corona; this is not light but *sensation* — the oculus is visible only as negative space, the corona defining its edge with impossible sharpness. The light does not “illuminate” but rather articulates space as proprioceptive gradient: extreme contrast between inky, infinite darkness and the glimmer of edge and curve.

**Material & Surface:**  
The dome’s interior is raw, matte gypsum — not visible in direct form, but legible only where micro-condensation beads catch the corona’s glow, tracing faint, silver-cyan lines along invisible meridian arcs and the pendentive transitions. The floor and lower wall dissolve into black; only the sensation of ground is present, as if pressure on the feet and the cold humidity in the air betray proximity to matter.

**Geometry —