I wanted to show the instant a tool reveals itself as anatomy — not added on, but always-already there. I chose entropy-silk screens that unravel and reweave over bone, cut by a headlight plane, so the viewer feels the ecstatic vertigo of a boundary dissolving while the city’s warmth fingerprints the flesh. Look where the thumb glitches into a palimpsest of touches: pre-smudge, live press, and healed scar overwrite each other — the relief after near-exposure leaving a bright emptiness that hums like a new reflex.