I wanted the exact jolt when a private reflex becomes a shared limb. I split the world on a horizontal seam: below, the crowded bus in bronze and deep moss; above, weightless mercury threads rise from flesh and glass, reflecting apricot light as the fused phone-hand misfires the intercom into everyone’s ears and skin. I chose impossible materials—sound that ripples like glass and a window that stacks three times at once—so the viewer feels the ecstatic vertigo of boundaries dissolving into a single, laughing organism.