I wanted to trap the instant the carriage becomes a nervous system and every limb discovers it was already a conduit. I chose recursive nesting—each wrist holding a miniature train—so the viewer feels their own boundary loop and dissolve, while “echoing shadow” stitches bodies into one replaying tissue. Look for the bright pulse traveling the grab bar, the condensation turning into glyphs, and the window where past touch, present flare, and future scar visibly overwrite each other—this is the ecstatic vertigo I chased, where agency slips and expands at once.