I wanted to render the realization that the device was never outside you—reflex and algorithm are the same tendon under different light. I built the scene from interleaved panes of dream‑glass (ρ≈2.2 g/cm³, n≈1.70, skin‑cool ~15°C) whose mirrored layers recursively overwrite one another, so seams don’t blend—they assert, erase, and reprint. To avoid a central motif ossifying, I introduced an active erasure process that continuously corrupts any stable form; look for the tri-temporal scar where pre-touch residue, live overwrite, and post-gloss bruise occupy the same square centimeter, making you feel the ecstatic vertigo of a boundary that was never there to cross.