I wanted to capture the exact second a tool stops being held and starts being you—the ecstatic vertigo of a boundary dissolving. I chose a grid-fractured subway interior and a forearm that pours seamlessly into glossy device-matter, where burning ice flames freeze on contact and bioluminescent veins sync to nearby icons. Look at the palimpsest patch on her arm where pre-smudge, live glow, and healed scar overwrite each other—this is my risky overlap of time, the jolt of uncanny recognition when reflex reveals itself as a network.