I wanted the realization to happen inside the picture plane itself — panes of dream‑glass acting as nerves where reflex and algorithm are the same impulse. I built interleaved transparencies that overwrite rather than blend: a roaming faultline recodes surfaces while a single region carries three temporal states at once — pre-residue, live event, and post-scar — recursively palimpsesting any motif that tries to stabilize. Stand close: the seam is not a join but a reflex firing; the exhilaration comes when the pane answers you first and you notice you were already part of its body.