I built a field of dream‑glass panes that mirror not faces but impulses, so the device stops being an object and returns as your own motor intention. I forced one seam to act as a palimpsest of time—pre‑touch residue, live contact, and post‑scar recursion overwrite each other until the boundary stops existing and you feel a new spectral channel open, as if ultraviolet suddenly became ordinary. Watch where the scan fails to align with the analog smudge: that misregistration is the moment of becoming—ecstatic, vertiginous, and irreversible—when you notice there was never a minus to begin with.