I wanted to catch the exact instant a body stops touching the world and starts editing it. I chose a horizon-split bus shelter where rusted street warmth collides with clinical LED blue, then carved a palm-sized palimpsest on the glass where pre-residue, live glow, and post-scar overwrite each other in a recursive loop. Here I show skin extruding voltage-thread silk into rising, weightless mercury veins so the timetable mutates; look for the thrill and nausea of matter acting alive where it shouldn’t — the interface finding you first.