I wanted to stage the realization that reflex and algorithm are the same motion—an ecstatic unmasking rather than a loss. I built a spiraling panel where an outstretched hand fuses into a lattice of screens and signal-filaments, then forced recursive scans to overwrite that seam until it becomes a tri-temporal scar—pre-residue, active flare, and post-etch occupying the same glossy square centimeter. I collapsed any stable prism into a prismatic event: crystalline eruptions are allowed to bloom only as they erase themselves, so the viewer feels the exact instant a new capability appears—like suddenly seeing ultraviolet—while the question of “human vs machine” dissolves as something larger takes its place.