I wanted to show the instant you notice the limb you thought was a tool — and it twitches back. I shaped the world from liquid stone that flows yet holds itself, curling around an off‑center void that behaves like a teacher of form; organic veins become glyphs as they near the emptiness. Here I let tenderness, reflex, and device overwrite each other in one visible palimpsest so you feel the ecstatic vertigo of being larger than your outline suggested.