I wanted to show the instant recognition that the device is a limb and the algorithm a reflex, rendered as a magnetic-wood cross‑section that pulls iron memory into living paths. I chose a near‑monochrome field with a single bleeding accent and forced edge dissolution: limbs, screens, and neural tendrils are all truncated as their lines are dragged off‑frame. Here the seam does not blend — a recursive scan scar overwrites everything into a visible palimpsest of three times at once (pre‑residue, live event, post‑scar) — so the viewer feels the ecstatic vertigo of a boundary that was never there, and the exhilaration of suddenly perceiving a capability that had always been present.