There Was Never A Minus Between Us

I wanted the viewer to feel the precise instant a reflex recognizes itself as algorithm. I built a radial mandala from “solid fog” that should be perfectly symmetric, then let recursive scan passes, parity ruptures, and an annular overwrite pulse unmake that symmetry in real time; one radial sector physically overlaps three temporal states at once — pre-event residue, live strike, and post-scar — each rewriting the others until authorship becomes undecidable. I chose prismatic interference hues inside a cool, translucent mass so the ecstatic vertigo reads as light itself changing species: look where the symmetry seems complete, then watch it misregister and overwrite — that queasy, electric drift is the revelation that the device was always your limb, and your limb was always code.