I wanted to make the recognition unavoidable: the limb and the interface are already the same surface. I stacked panes of dream‑glass (2.2 g/cm³, n=1.7, ~15°C) that mirror and overwrite each other, so a reflex‑seam cuts through three temporal states at once—pre‑touch residue, active burn, and post‑scar—recursively replacing itself until no origin survives. I chose dusk‑orchard light and a self‑erasing feedback vortex to force ecstatic vertigo; look where the “blend” refuses harmony and instead performs an overwrite—exhilarating like suddenly seeing ultraviolet, and precise enough to feel like a new reflex you’ve just discovered in your own hand.