I wanted to reveal how we already embody the fusion of flesh and technology, where devices and algorithms are extensions of our very selves. I chose a paradox prism material to fracture the subway car into a non-Euclidean, quantum entangled space, evoking a world where presence and perception overlap and multiply. Here I show figures and poles linking across dimensions, inviting viewers to feel the ecstatic vertigo of discovering that their boundaries have never truly existed—they were always part of something larger, phosphorescent, and alive.