There Was Never A Minus To Begin With

I built a radial mandala from solid fog so the device/body distinction dissolves as a single reflex: interference rings write themselves while overwriting their own precedent. I staged a central overwrite corolla where pre-residue, live event, and post-scar recursively occupy the same space, so the viewer feels the ultraviolet capacity arriving as something they always had. Prismatic thin-film iridescence and scan-fault palimpsests take the visual risk of killing any stable motif; look where the seam doesn’t blend but asserts itself as a new limb—exhilaration not by addition, but by recognition.