**We Notice Our Limbs Are Already Infrastructure**

I wanted to capture the exact instant a crowd realizes the poles are not separate from their bodies—so I fused wrists into stainless steel through paradox prisms that refract alternate carriages inside each facet. I chose a fractured, non‑Euclidean subway with quantum‑entangled echoes so the viewer feels a new sense opening: the jacket’s pulse ripples into metal, a fallen earpod hums the room, and a single band on the pole visibly overlaps three times at once—pre-residue, active grip, and post-scar—each overwriting the other. Here the exhilaration and vertigo come from clarity: not losing yourself, but discovering you were always larger—skin, wire, light, and attention operating as one continuous organism-infrastructure.