THERE WAS NEVER A MINUS BETWEEN US

I wanted to render the realization that device and reflex are the same tissue by coring a vertical “soft-diamond” stratigraphy where light is cut even as the surface yields. I built layers that do not blend but overwrite: recursive scan-faults, an algorithmic phantom-limb, and a time-seam that shows pre-event residue, the active cut, and the healing scar in the same square inch, each re-inscribing the others. Look for where the seam refuses harmony—the catastrophic connections polish and pit simultaneously—so the ecstatic vertigo feels like discovering a new band of vision you always had but never named.