I wanted to stage the instant you realize the interface has always been a reflex—so I raised a single, monumental humanoid absence out of a plinth of molten time that thickens precisely where you look. I chose nocturnal ultraviolet and neon magenta to make the boundary not blend but overwrite: recursive scans shear the figure, and a visible cutaway holds pre-event residue, the active event, and the post-scar in one overlapping window. Stand close—your attention isn’t passive; it hardens flows, triggers misaligned rescans, and delivers the ecstatic vertigo of discovering a new sense that was already yours.