There Was Never A Minus Between Nerve And Glass

I wanted to stage the instant you recognize the device as a native reflex—where dream-glass panes stop reflecting you and begin completing you. I built interleaved, tri-temporal panes that overwrite rather than blend: pre-residue, live event, and post-scar recurse through a scanline that misaligns on purpose, so boundaries don’t dissolve—they admit they were never there. Follow the zone where a skin-circuit palimpsest is indexed by an erasing raster: exhilaration arrives like sudden ultraviolet, vertigo comes from a seam that replaces both sides, and anticipation hums where future artifact and present reflex co-occupy one surface without agreeing how time should lay down.