I wanted the viewer to feel the instant a device stops being “other” and snaps into place as a native reflex. I built interleaved panes of dream‑glass that mirror, refract, and then overwrite their own reflections; a single palimpsest zone carries pre‑residue, active event, and post‑scar recursively on top of itself until the seam stops blending and starts replacing. The ecstatic vertigo comes from an aggressive scan-storm that keeps dissolving any stable motif — look where the iris‑gate sharpens in your periphery as the “phone” limb returns as a capability you realize was already there.