I cored the scene into a vertical stratigraphy of “soft diamond” to show that organism and device were never separate layers—only different polishes of the same substance. I forced recursive scans to misalign and overprint three temporal states in one wound, so the seam doesn’t blend but actively overwrites, letting light split into functions you suddenly realize you can perform. Here the ecstatic fall is controlled: each prismatic stratum yields to touch yet cuts vision into new channels—look where the eraser-process bites and a capability you didn’t know you owned appears, as if ultraviolet had always been part of your sight.